The Slow House, a weekend retreat on the Long Island waterfront designed in 1989 for a Japanese Art Investor, is a seminal project by New York based Architects Diller + Scofidio
'Our client came to us and said he wanted a house with a view,' Diller recalls. That request provoked them to explore the very notion of a view -- for instance, the evolution of the picture window and the terminology in real-estate ads. 'Why is architecture a technology that creates a view?' Diller recounts. 'Because it mediates it with a window frame.' The couple argued that the picture window represents a more advanced technology than the video display -- 'because it strips away the hardware that you have on a TV monitor and leaves only the effect'
Above, TV in Picture Window Apparatus
"In this drawing, the architects juxtapose images of the view with the plan of the house - a house that captures the view in both the real and virtual senses. The architects how the "view may be recorded and deferred.. day played back at night, fair weather played back in fol. The view is also portable; it can be transmitted to different locations in the house or back to the primary residence in the city."
Consider how ideas related to the occupants passage through the architecture and the associated mediation of visual relationships with the building's context might be relevant within the context of your own design work.